Piotr Beczala
CHF

About The Programme
Martin Muehle replaces Piotr Beczala due to illness
We regret to inform you that Piotr Beczala has fallen ill and will not be able to sing his concert at the Andermatt Concert Hall on 27th May. We wish him a speedy recovery and are immensely pleased that we are able to present a world-renowned tenor of the very highest quality in his place: Martin Muehle, a tenor takes over who distinguishes himself by his dramatic intensity and his vocal ability in the most demanding tenor roles.
An enthusiastic audience has already been able to experience him at the Deutsche Oper Berlin, the Teatro Real Madrid, the Bavarian State Opera in Munich, the Opéra National de Paris, the Frankfurt Opera, the Seattle Opera, the Bregenz Festival and the Arena di Verona, among others. We are happy to have been able to engage the German-Brazilian singer with his exceptional voice at short notice and are pleased to be able to keep the planned programme unchanged – except for two arias.
All tickets remain valid.
Lineup
MARTINMUEHLE, tenor
SYLVIA D’ERAMO, soprano
SWISS ORCHESTRA
LENA-LISA WÜSTENDÖRFER, conductor
programme
GIUSEPPE VERDI
Ouvertüre (La forza del destino)
GEORGES BIZET
Nr. 6 Duett Micaëla / Don José (Carmen)
GEORGES BIZET
La fleur que tu m’avais jetée (Carmen)
GUSTAVE CHARPENTIER
Depuis le jour (Louise)
GIACOMO PUCCINI
O mio babbino (Gianni Schicchi)
FRANZLEHAR
Dein ist mein ganzes Herz
GIACOMO PUCCINI
«Recondita armonia» (Tosca)
GIACOMO PUCCINI
«Mario Mario! Mario!… Son qui» (Tosca)
GIACOMO PUCCINI
«E lucevan le stelle» (Tosca)
ANTONÍN DVOŘÁK
«Song to the Moon» (Rusalka)
GIACOMOPUCCINI
«Nessun dorma» (Turandot)
concert hall
Andermatt
How to get there
Details on how to get there can be found on the ANDERMATT MUSIC website.
barrier-free access
The Andermatt concert hall is barrier-free. Wheelchair tickets are available via email at info@andermattmusic.ch or at Andermatt Alpine Apartments at +41 41 888 78 00.
Seating on the balcony is recommended for people with reduced mobility. Chamber music concerts and New Folk Music concerts usually do not have grandstand seating: Here, all seats are accessible without steps.
The Andermatt concert hall has an inductive listening system.
Garderobe
evening ticket office
The box office opens 1 hour before the start of the concert.
Doors open / late entry
Admission to the concert hall is 30 minutes before the start of the concert. Late admission is only possible during applause between plays and on the guidance of the hall staff.
Discount
Discounts are available for children, students and members of the Gotthard MemberClub. Details about the benefits can be found here.
German-Brazilian tenor Martin Muehle has been praised for his vocal prowess and dramatic intensity on stage in some of the most challenging tenor roles.
The highlights of the Saison 2022/23 are Calaf in Barrie Kosky’s new production of Turandot at the Dutch National Opera under the baton of Lorenzo Viotti, Des Grieux (Manon Lescaut) at the Deutsche Oper Berlin and Calaf at Teatro Real Madrid.
The 2020-21 season saw Mr. Muehle´s house debut at the Oper Frankfurt as Chevalier Renato des Grieux in Puccini´s Manon Lescaut, as well as his role debut as Otello at the Hanover State Opera. He returned to the Deutsche Oper Berlin as Calaf in Puccini’s Turandot, and to the Prague National Theatre for the title role in Andrea Chénier, as well as to the Oper Köln as Don José in Bizet’s Carmen and to the Konzert Theater Bern as Pollione in Bellini´s Norma. As concert soloist he took the stage with the Münchner Rundfunkorchester for an opera gala, as well as with the Stuttgarter Philharmoniker in Liszt´s Faust Symphony.
Mr. Muehle opened the 2019-20 season with his return to Oper Köln as Don José, followed by his debut at the Liceu Theatre in Barcelona as Turiddu in Mascagni’s Cavelleria Rusticana and Canio in Leoncavallo´s Pagliacci conducted by Henrik Nánási. He returned to the Deutsche Oper Berlin in the title role of Giordano’s Andrea Chénier, a role he also portrayed in previous seasons at Teatro Comunale di Modena, Teatro Regio di Parma, Teatro Reggio di Emilia, Fondazione Teatro di Piacenza and the National Theatre in Prague. He was scheduled to return to the Bolshoi Theatre as Don José and to have his house debut at the Grand Théâtre de Genève in 2020-21 as Calaf. Further planned engagements affected by corona included his role debut as Herman in a new production of Tchaikovsky’s Pique Dame at Deutsche Oper Berlin, as well as the role of Canio in Pagliacci at The Israeli Opera.
In previous seasons, Mr. Muehle performed Don José in Bizet’s Carmen at Staatsoper Hamburg and at the Bolshoi Theatre, the latter conducted by Tugan Sokhiev. He gave his US and house debut at Seattle Opera as Manrico in Verdi’s Il Trovatore and returned to Oper Köln as Calaf in Turandot, a role he also sang at Deutsche Oper Berlin. He also performed again in Teatro Massimo in Palermo as Canio in Leoncavallo’s Pagliacci conducted by Daniel Oren and debuted at Arena di Verona in the roles of Don José and Radames in Verdi’s Aida.
Further highlights from recent seasons include his role and house debut opposite Angela Gheorgiu at Teatro Massimo in Palermo as Maurizio in Cilea’s Adriana Lecouvreur, his role debut as Manrico in a new production of Il Trovatore at Konzert Theater Bern, as well as his role debut singing the title role in Wagner’s Lohengrin in a new production by Vincent Boussard at Theater St. Gallen. He has also sung Don José at the National Theatre in Prague, Konzert Theater Bern, the Bregenz Festival in 2017 and 2018, Oper Graz, Nationaltheater Mannheim, and Theater St. Gallen and in Buenos Aires.
In prior seasons at Nationaltheater Mannheim, where he was in the ensemble from 2013 to 2015, he portrayed roles such as Hagenbach in Catalani’s La Wally, Faust in Berlioz’s La Damnation de Faust, Gabriele Adorno in Verdi’s Simon Boccanegra, as well as Puccini roles such as Calaf in Turandot and Pinkerton in Madama Butterfly, the title role in a new production of Verdi‘s Stiffelio and Fritz in Schreker’s Der ferne Klang, as well as the title role in Wagner’s Lohengrin.
Further past engagements include Andrea Chénier at Teatro Petruzelli in Bari, Des Grieux in Puccini’s Manon Lescaut in São Paolo, Faust in Arrigo Boito’s Mefistofele and Arrigo in Verdi’s I Vespri Siciliani at Theater Freiburg, Pollione in Bellini’s Norma at Theater St. Gallen, Luigi in Puccini’s Il tabarro at Theater Bielefeld, Radames in Aida at the St. Margarethen Festival, Siegmund in Wagner’s Die Walküre at Theater Detmold, and Calaf at Teatro Filarmonico in Verona. In South America Mr. Muehle made a name for himself singing roles such as Turiddu in Brasilia, and Siegmund in Die Walküre in La Plata and at Theatro Municipal in São Paulo, where he also sang Alfonso in Korngold’s Violanta and Guido in Zemlinsky’s Eine florentinische Tragödie.
He has appeared in concert as soloist in Verdi’s Requiem with the Rundfunk-Sinfonieorchester and Rundfunkchor Berlin under the baton of Simon Halsey at the Berlin Philharmonie, as well as at the Gewandhaus in Leipzig with the MDR Symphony, in Das Lied von der Erde conducted by Dan Ettinger in Mannheim and has worked with the Croatian Radio Symphony Orchestra in Zagreb. He has also sung Gounod’s St. Cecilia Mass at the Theatro Municipal in São Paulo, Beethoven’s Symphony No. 9 at the Cathedral of Porto Alegre and at Palácio das Artes in Belo Horizonte.
He is featured on the critically acclaimed Naxos recording of Zandonai’s Francesca da Rimini in the role of Paolo il bello with the Philharmonic Orchestra Freiburg under Fabrice Bollon.
Martin Muehle was born in Porto Alegre in Brazil and studied at the Musikhochschule in Lübeck, Germany.
A graduate of the Yale School of Music, Sylvia D’Eramo has recently completed her final season as a member of the Metropolitan Opera Lindemann Young Artist Development Program. The young lyric soprano has already successfully performed at the MET, Santa Fe Opera, Palm Beach Opera, Lyric Opera Kansas City and with The Philadelphia Orchestra, amongst others. In the summer of 2022, she returned to Santa Fe Opera as a principal artist in a widely acclaimed role debut as Micaëla in Carmen.
In the upcoming 2022/23 season, Sylvia returns to the MET as Kitty/Vanessa in a world-premiere new production of Pulitzer Prize–winning composer Kevin Puts’ The Hours which will also be part of the Met’s Live in HD series. She goes back to the MET later in the season to perform the role of Musetta in the series of La Bohème performances conducted by Yannick Nézet-Séguin. She can also be heard as Donna Elvira in Brenna Corner’s production of Don Giovanni at the North Carolina Opera. On concert scene Sylvia can be heard in the concerts with Piotr Beczała in Andermatt, Switzerland and Jonathan Tetelman with the Tivoli Symphony Orchestra in Copenhagen.
The 2021/22 season saw Sylvia D’Eramo make important debuts: originally scheduled to make her mainstage debut as Diane in the Metropolitan Opera’s cancelled production of Iphigénie en Tauride, she instead debuted there as Countess Ceprano in Rigoletto. She also made her Philadelphia Orchestra debut, performing Kitty/Vanessa in the concert version of Kevin Puts’ The Hours.
Sylvia joined the Metropolitan Opera Lindemann Young Artist Program for her inaugural season in 2020/21. In 2021, she made her role debut as Mimì in La Bohème, conducted by James Gaffigan, with the Verbier Festival in Switzerland where she was also awarded the Thierry Mermod top singer prize.
During the 2019-2020 COVID-affected season, Ms. D’Eramo trained with the Los Angeles Opera as a member of its Young Artist Program. She also made her company and role debut with Lyric Opera Kansas City as Musetta in La Bohème. In the summer of 2020, she was to become an inaugural member of the Aspen Opera Theater and Vocal ARTS program, led by Renée Fleming and Patrick Summer, singing the role of Rosasharn in Ricky Ian Gordon’s The Grapes of Wrath (cancelled due to COVID-19). She was also slated to join the Britt Festival Orchestra as the soprano soloist in Beethoven’s Ninth Symphony, conducted by Teddy Abrams (cancelled). For the 2018-2019 season, she joined the Benenson Young Artist Program at Palm Beach Opera, where she appeared in the Rising Stars Concert, and covered Zerlina in Don Giovanni and Adele in Die Fledermaus. In May of 2019 Ms. D’Eramo joined the Glens Falls Symphony as the soprano soloist in Beethoven’s Ninth Symphony, then returned to Santa Fe Opera for her second year as an Apprentice, where she covered Mimi in La bohème, and sang Barena in Jenůfa.
Previously, Sylvia joined Santa Fe Opera as an Apprentice Artist, singing Cugina in Madama Butterfly, and performed Gretel in Hänsel und Gretel and Pamina in Die Zauberflöte, both with Yale Opera. In concert, she joined the Marvin Concert Series in her home state of Texas for Verdi’s Requiem, and Yale Philharmonia for Beethoven’s Ninth Symphony under the baton of Maestro Marin Alsop.
Ms. D’Eramo can be heard on Albany Record’s 2017 recording of The Crucible by Robert Ward, singing the role of Abigail Williams. She was a winner in the Lois Alba Aria Competition and won an encouragement award from the Career Bridges Foundation.
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